Bidoro: The Glass-Green Drips on Bizen Pottery

Close view of the rim of an unglazed square plate on a stone slab, a thin yellow-green glassy layer spreading across the top while the side stays dry white clay

Bidoro is natural ash glaze in which ash settled thickly during a wood firing has melted and pooled in a vivid, glassy green.

The name comes from Portuguese vidro, glass. The word entered Japan in the 16th century and became, just as it was, the name of a kiln effect.

Where ash gathered and ran during a long firing, translucent green pooling and rivulets appear. It is often seen on Iga ware and Shigaraki ware, and in tea ceramics it is loved as one of the most beautiful things a kiln produces.

Goma against bidoro

The same melted-ash natural glaze takes different names according to quantity.

NameAmount of ashHow it looks
Goma (sesame)Falling thinly, in specksSmall grains as if sesame were sprinkled. Common on Bizen
BidoroSettling thicklyMelts and runs into translucent green pooling
TamadareThicker still, running downGreen droplets set in place as they hang

Places where ash falls heavily are only a few limited positions inside a kiln: the side near the stoking port, the upper faces along the flame path. Makers aim to place pieces there, but they cannot decide where or how much will gather.

What to look at

Bidoro shows its quality against the light. Thickly pooled areas sink to a deep green, thin areas glow yellow-green. And at the end of a run, a small bead has sometimes formed where the drip stopped.

There is also always bare clay around bidoro. Glassy green and dry earth. That gap is the scenery of unglazed pottery, and exactly what keshiki sets out to read.

Using bidoro pieces

Bidoro is glassy, but the piece beneath it is absorbent stoneware. Basically it needs the same care as any stoneware.

Doing medome at the start prevents cooking oils and odours from soaking in. Depending on how the bidoro has settled and how hard the piece was fired, the surface may also carry fine air holes or crazing. After use, wash gently by hand with detergent and dry thoroughly somewhere with good airflow before putting it away. Avoiding the dishwasher and microwave is safest.

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Pieces available at Nokaze

Look at how the green runs

Deep green where it pooled thickly, yellow-green where it thinned. Bidoro runs differently on every piece. Nokaze introduces unglazed stoneware.

Browse unglazed stoneware

FAQ

What is the bidoro seen on stoneware?
It is the emerald-green, glass-like translucent layer that appears naturally on the surface of a piece. It is not made by applying manufactured glass or glaze. It arises when wood ash from burning pine and similar woods in the kiln falls on the piece and melts into a glassy state at over 1,200°C.
Is there anything to watch when using a piece with bidoro?
Bidoro is glassy, but the piece beneath it is absorbent stoneware. Doing medome with rice-rinsing water at the start prevents cooking oils and odours from soaking in. The surface may also carry fine air holes or crazing, so after use wash gently by hand with detergent and dry thoroughly somewhere with good airflow before putting it away. Avoiding the dishwasher and microwave is safest.
Can bidoro be produced deliberately?
Not entirely. Placing a piece where plenty of ash falls is the maker's judgement, but where and how much gathers, and how it runs, is up to the kiln. Even for pieces set on the same shelf of the same kiln, it is not unusual for two neighbours to show completely different scenery. That is why unglazed pieces are worth choosing one by one from the actual object.

Shop the related pieces

New to Japanese pottery? Start here — its history, how pottery differs from porcelain, the clays and glazes behind each style, and how to care for a piece. → Japanese Pottery: The Complete Guide

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