Takashi Suzuki is a ceramic artist from Odawara who creates uniquely blue vessels that shine beautifully, like the clear sea.
Born and raised in Odawara, a renowned citrus-producing region, as the son of an orange farmer, Suzuki began to teach himself pottery at the age of 35. Over more than 20 years of continuous effort, he discovered his own unique style, creating beautiful pieces with "mikan ash glaze," a symbol of his work, using ash from oranges.
He is a truly rare artisan in Japan, as he handles every step of the process himself, from cultivating oranges to making orange ash, glazes, and pottery. The orange ash creates a unique blue, warm like fruit and clear like the Odawara sea. Growing trees, touching the earth, facing the flames, and bringing works to life—everything is connected in a single thread of creation that symbolizes Takashi Suzuki.
His other series, "Seiji" (celadon) and "Hakuji" (white porcelain), feature crackle glazes that shimmer brightly. These pieces are a beautiful expression of individuality, combining stunning blue and white hues with unique crackle patterns on each piece. With each use, the crackle glaze subtly changes, evolving over time. More than just functional, these "shining vessels" illuminate any space they occupy and are a delight to behold.
Plates
Suzuki Takashi
OdawaraCeladon Plate No.11
¥4,400
It takes 3~10 days to start shipping from Japan.
Specifications
| Category | Plates |
|---|---|
| Dimensions | L 16.0 cm W 16.0 cm H 1.0 cm≈ 5.3 sun |
| Weight | Not specified |
| Made-to-Order | Not available |
| Stock Limit | Max 1 per order |
About this Work
A “seiji” celadon plate, born of an exhaustive study of everything from glaze formulation to clay blending, in pursuit of the beauty of blue.
* The fine cracks on the surface are kannyu crazing and are part of the design; enjoying this crazing is one of the pleasures of the piece. They are not damage.
“Seiji” celadon is porcelain in which trace iron contained in the glaze turns a blue-green under reduction firing. It carries a depth and lustre almost like marble, and holds a character of its own that glows quietly in the light.
On the surface, the kannyu crazing that forms during firing rises into view.
How the flame strikes, what the clay contains, how thick the glaze lies — all these conditions overlap, so no two patterns of crazing are ever alike, and each piece draws a landscape found nowhere else. The fine lines running across it change with the angle of the light, giving the piece a quiet movement.
From the first use onward, daily use lets colour seep little by little into the crazing, and over time the piece completes itself as one that grows with you. Made to be used, yet with a presence that lends light to a room and rewards simply being looked at. It is a special piece that satisfies both the pleasure of use and the pleasure of contemplation.
Care & Safety
Microwave
Not recommended
Dishwasher
Not recommended
Oven
Not recommended