Sabiyu Rust Glaze: Iron Brown Like Weathered Metal

Octagonal Japanese pottery plates on concrete, a matte brown sabiyu rust-glazed plate beside navy, beige and charcoal ones

Sabiyu (rust glaze) is a glaze rich in iron that fires to a brown like rusted iron. Its calm, low-sheen color is what sets it apart. In Japanese it is also written サビ釉.

Iron is the oldest colorant in the history of glazes. Among the types of glaze, those that take their color from iron are grouped together as iron glazes, and sabiyu is the name for the ones that come out brown with little shine.

Depending on the amount of iron and the firing, the same iron glaze can turn a clear amber or a glossy black. Sabiyu is neither. It leans toward the dry surface of oxidized metal. When the same iron is used as a paint to draw lines, it is called tetsue (iron painting). Over a surface it is a glaze; laid down as a line, it is a painting.

The word "rust" is in the name, but the piece does not rust. The name only says that the color and texture of the fired glaze resemble rusted iron.

What decides the color of sabiyu

The color of an iron glaze comes down to roughly three conditions.

  • The amount of iron A little gives ochre; the more there is, the further it moves from dark brown toward black
  • The oxygen in the kiln Fired with plenty of oxygen it turns a reddish brown; fired with the air cut back it sinks to black or a greenish tone
  • The thickness of the glaze and the heat it takes The thinner and the better fired an area is, the more shine and color it shows

Sabiyu is a glaze whose results vary from piece to piece. Its base is matte, but well-fired areas such as the rim and the underside take on a green tinge and a little shine. Fired in the same kiln in the same way, no two pieces come out alike, and that is the nature of this glaze.

Rust-glazed ruffle plate by Furutani Pottery in Shigaraki, seen from above, the glaze thinning to light gold-brown on the ridges

The photo shows a sabiyu ruffle plate by Furutani Pottery in Shigaraki, Shiga. A ruffle is a gathered, pleated trim like a frill. On the crests of the ridges the glaze runs thin and opens up to a light gold-brown. The more relief a piece has, the more clearly the light and dark of sabiyu show.

Matte, sheen and a dull glow

The hardest part of choosing sabiyu is the vocabulary of texture. Different looks live side by side on the same piece.

Look Where it appears Why
Matte Wide, flat areas such as the inside of a plate The glaze is thick, and fine crystals form on the surface and scatter the light, so it reads matte
A slightly green sheen The rim, the underside, faces that took the most heat in the kiln The heat melts the glaze completely, the surface turns smooth, and the color takes on green
A light gold-brown Carved ridges, edges, raised areas The glaze runs thin and the clay beneath shows through, giving a brighter color

All three mixing on one piece is the charm of sabiyu. Read it not as uneven color but as the shape of the piece showing through the glaze, and you will look for different things when you choose.

Rust-colored pottery takes the color of food well. White and green vegetables, the yellow of an egg, white rice. On a dark ground, the brighter a color is, the more it stands out. That contrast is why it suits a one-plate meal or a single main dish. Bring a sabiyu piece to your table and set a table that is calm and still has a glow.

Related articles and terms

Glaze and texture

Care and living with it

One dark plate pulls a table together

Put a single rust-colored plate on a table of white pottery and the colors of the food stand out. A matte black-brown, with only the rim opening up to a light gold-brown. It may look like one color in a photo, but in your hands its face keeps changing. Furutani Pottery in Shigaraki makes this sabiyu in shapes for every day, such as lobed plates and ruffle plates.

See Furutani Pottery

FAQ

Does sabiyu pottery need medome sealing?
Not when the artisan has already given the piece a water-sealing treatment. Furutani Pottery's sabiyu pieces are treated this way, and the product description says plainly: "Please do not seal it yourself, for example by simmering it in rice water." Sealing it again can break down the treatment or even cause stains. Simply dipping it in water before use is enough.
Why does every sabiyu piece come out a different color?
Because sabiyu is a glaze whose results vary easily. Its color and texture are decided by the amount of iron, the amount of oxygen in the kiln, and the thickness of the glaze and how much heat it takes. Even from the same kiln, well-fired areas such as the rim and underside turn greenish with a little shine, while thin spots such as carved ridges open up to a light gold-brown.
What is the difference between sabiyu and tetsue?
It is the same iron, used as a surface or as a line. Applied over the whole piece and fired, it becomes a glaze, and the brown, low-sheen kind is called sabiyu. Used as a paint to draw lines or pictures, it is tetsue (iron painting). The material is the same, but the name and the look are different.

Shop the related pieces

New to Japanese pottery? Start here — its history, how pottery differs from porcelain, the clays and glazes behind each style, and how to care for a piece. → Japanese Pottery: The Complete Guide

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