Japanese Pottery Glossary

藻掛とは|海藻を巻いて焼く、常滑の火色

Mogake: The Red Seaweed Lines of Tokoname Pottery

Mogake is a Tokoname technique in which dried seaweed is wrapped around a piece before firing, leaving red lines wherever it touched. According to Tokoname Tounomori and the official Six...

Mogake: The Red Seaweed Lines of Tokoname Pottery

Mogake is a Tokoname technique in which dried seaweed is wrapped around a piece before firing, leaving red lines wherever it touched. According to Tokoname Tounomori and the official Six...

Close-up of an overglaze-enamelled lidded bowl, gold outlining the cloud shapes on the lid and a gold lattice on the body over white porcelain and red

Kinsai: Gold Fired Over the Glaze in Japanese C...

Kinsai is decoration in which gold-bearing pigment is painted onto the glaze of an already fired piece and fired again at a lower temperature. It is one form of overglaze...

Kinsai: Gold Fired Over the Glaze in Japanese C...

Kinsai is decoration in which gold-bearing pigment is painted onto the glaze of an already fired piece and fired again at a lower temperature. It is one form of overglaze...

Two small stoneware cups with pale turquoise ash glaze pooling in patches over sandy speckled clay

Ash Glaze (Haiyu): The Origin of High-Fired Jap...

Ash glaze is a glaze made by blending the ash of burnt wood or straw with feldspar and clay, then firing it on a pot at high temperature. Unlike natural...

Ash Glaze (Haiyu): The Origin of High-Fired Jap...

Ash glaze is a glaze made by blending the ash of burnt wood or straw with feldspar and clay, then firing it on a pot at high temperature. Unlike natural...

Stacked seihakuji porcelain plates with scalloped petal rims, the molded floral arabesque relief holding pale blue where the glaze pools

Seihakuji: White Porcelain Where Blue Pools in ...

Seihakuji is porcelain made by covering a white porcelain body with a clear glaze holding the faintest trace of iron, fired to a white tinged with blue. Flat surfaces stay...

Seihakuji: White Porcelain Where Blue Pools in ...

Seihakuji is porcelain made by covering a white porcelain body with a clear glaze holding the faintest trace of iron, fired to a white tinged with blue. Flat surfaces stay...

Large blue-and-white porcelain jar with orange peony painting standing outdoors in Imari, in front of a wall faced with hand-painted ceramic tiles

Iro-Nabeshima: Porcelain Fired Only as Tribute ...

Iro-Nabeshima is the porcelain fired at the Saga domain's kiln in Okawachiyama during the Edo period, painted mainly in red, yellow and green over a blue underglaze. It was made...

Iro-Nabeshima: Porcelain Fired Only as Tribute ...

Iro-Nabeshima is the porcelain fired at the Saga domain's kiln in Okawachiyama during the Edo period, painted mainly in red, yellow and green over a blue underglaze. It was made...

銀継ぎとは|金継ぎとの違いと、銀が黒くなるまで

Gintsugi: Silver Kintsugi, and Why the Silver T...

Gintsugi joins a break with lacquer and finishes the seam in silver powder. The process is identical to kintsugi; only the metal laid on at the end is different. Silver...

Gintsugi: Silver Kintsugi, and Why the Silver T...

Gintsugi joins a break with lacquer and finishes the seam in silver powder. The process is identical to kintsugi; only the metal laid on at the end is different. Silver...